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By using our site, you acknowledge that you have read and understand our Cookie Policy , Privacy Policy , and our Terms of Service. Photography Stack Exchange is a question and answer site for professional, enthusiast and amateur photographers. It only takes a minute to sign up. I am digitizing all of my old family photos and was curious if anyone knew how to interpret this code and figure out the date the photo was taken or printed. I also don’t know where to find the year. Those appear to be codes from a Fuji Frontier automatic film processing lab machine or one of its older predecessors.

Kodak Velox Film/Paper

This is a nostalgic look at where all silver halide papers began. Written in , an article on historical technology has itself become somewhat historical. It has been updated in places but is largely as originally written. What started out as a large number of small, privately owned manufacturing businesses, over a century evolved into vast industrial concerns, and perhaps some intangible qualities in their products were lost along the way.

some of the more useful techniques for dating photographic papers, their used only on Agfa papers and on the longstanding Velox brand.

This guide is meant to aid the collector in identifying and dating real photo postcards, and to act as a reminder that it is impossible to do so with great accuracy. A lthough real photo postcards were made in a variety of ways, they hold one identifiable feature in common. The tonalities of photos are completely continuous to the eye producing true greys, for they are created by the reaction of individual photosensitive molecules to light rather than the transfer of ink from a plate.

In printed images the grey areas are usually made up of black marks that are spaced to create the optical illusion of greys. Though most of us today are familiar with the concept of photo grain, this is mostly because we have experienced very large prints made from small 35mm negatives. But even here the effect is more of a softening of detail than a observable texture. Early real photo postcards are small by their very nature and since most were contact printed, not enlarged, there is no visible texture.

Collotypes, which provide the finest detail of all printing methods are sometimes confused with real photo postcards. But even collotypes will exhibit a discernible grain when magnified. And of course any image that contain a regularly patterned series of dots is not a photograph at all but a ink printed image. Some halftone cards were printed on high gloss paper to resemble a photograph but their screen patterns will give them away if one is vigilant.

Most old photo papers used silver in their emulsions. As time passes this silver tends to migrate to the surface of the print creating tell-tale metallic patches.

Photography: Photographic Paper

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I have some old family photos printed on paper branded SELO in a diamond border and Velox paper was a gaslight paper although the stuff many of us grew.

Alison Rossiter, Eastman Kodak Velox , exact expiration date unknown, ca. They embrace the accidents, imperfections, and chemical changes that continue after the production of materials has ceased, the aesthetic outcomes have become unpredictable, or the original story is no longer the one being told. In an age of instantaneous images, these artists share a dedication to elevating the materiality and historicity of photography. While plugged into a computer, the selected image is uploaded to a salvaged e-reader, left untouched, and then disconnected.

The screen is taken apart from the device, leaving a lasting image. Taking the city and urban development as its ostensible subject, Cairns explores the potential of technological developments utilizing outdated technologies, arresting eerie, abstracted images of uninhabited cities and underground architecture that feel both futuristic and evocative of the past. Technology has now surpassed the early generations of e-readers. By re-appropriating and reanimating recycled materials that have become redundant, Cairns explores the potential of outdated technologies to present original, contemporary approaches to photography.

Recordings 4 Burying Stalin , a site-specific installation by Jason Lazarus, features the annotations inscribed on the verso of found photographs. Recordings began in when Lazarus discovered a family photograph.

Is My Press Photo Authentic? When Was It Taken?

Hello everyone, I am hoping someone can help me out here, as I know nothing about cameras or film I was browsing through some photos from the 40’s and 50’s that belonged to my grandmother’s friend. I found some old film unused in a container that says it is Kodak Film.

“Photographic Papers Manufactured By Eastman Kodak Company”. Rochester added to the Velox products but with no letter designation. By , multiple dated the notebook since a three digit number became the standard identification​.

A stamp can be one of the most significant parts of a photograph. The stamping can help tell us much, who was the photographer, the company the photo was made for magazine, Associated Press , why and when it was made. Sometimes a stamp will tell us the age of the photo. While a stamp or tag does not in and of itself authenticate a photo stamps are rarely forged , it helps the collector in making a judgment. While a new collector might not know a platinum print from a hole in the wall, the rubber stamp on the photo’s back is something she can get a handle on.

The stamp of George Burke with his Belmont Avenue Chicago address will rightly communicate to this new collector that the photograph was made or otherwise authorized by the famous baseball photographer. In general, a photographer’s rubber or dry stamp embossed with no ink is a reliable sign that the photo was either made or otherwise authorized by the photographer.

Dating velox photo paper

Printing-out paper. Kodak Ltd. Glossy mauve. Solio was available in a tinted base – pink, mauve – as well as white and with glossy, matt and velvet surfaces. A self-toning Solio and a version for use in the tropics – No. BJA , p.

In addition to the list of Kodak papers from the “Photo Lab Index,” I’ve also included Kodak Resisto N – A contact printing paper, produced by coating on an emulsion similar to Velox on a (Medalist dating from produced this image.

When you walked into your local camera shop in the late teens or early s and wanted to get some ideas for printing your pictures, the dealer might show you this sample album from Kodak. The No. The bottom image shows us the size of print from a No. The type of paper used is indicated on the bottom left of each photograph. The Capitol building was taken with a Kodak No.

You can clearly see the silver mirroring, which appears blue in the deep shadow areas.

The Ultimate Guide to Dating Your Family Photos

Kodak was founded by George Eastman and Henry A. Strong on September 4, During most of the 20th century , Kodak held a dominant position in photographic film. The company’s ubiquity was such that its ” Kodak moment ” tagline entered the common lexicon to describe a personal event that deserved to be recorded for posterity. In August , Kodak announced its intention to sell its photographic film , commercial scanners and kiosk operations, as a measure to emerge from bankruptcy, but not its motion picture film operations.

From the company’s founding by George Eastman in , Kodak followed the razor and blades business model of selling inexpensive cameras and making large margins from consumables — film, chemicals, and paper.

Monochrome print layers; Card mounts; Binder materials; Photo paper Common Kodak backprinting will include “Velox” (late s – c. s) Information about the process, date, and materials used are usually included in these stamps.

The demolition of Building 9, the paper plant at Kodak Park in Rochester, on 30 June , sent shock waves throughout much of the photographic world. This event dramatically marked a sharp turn toward digital photography. However, all is not lost. With the advent of e-bay on the Internet, a large number of vintage photographic items, including packages of printing paper with batch production dates going back to the early ‘s are for sale. While it may be of interest to some individuals to keep these latter items on a shelf for exhibition, it is much more of a challenge to try to make prints from these papers.

A psychological consideration of this situation is of interest. For a greater chance of success in obtaining a satisfactory print from a vintage printing paper, the following generalizations should be kept in mind. In addition, slower speed papers are less subject to age fog than are more rapid papers, ie. Similar reasoning applies to lantern slide plates, sometimes offered for sale, or to other transparency materials.

For this survey, the best sources are undoubtedly sample print books, company catalogs, Photo Lab Index , Popular Photography Directory issues, The Complete Photographer , as well as books on printing, e.

Photographic Prints

Weston, Modotti, Lange photo Kertesz. With sust ained effort this deficit can be addressed. This work will yield a tremendous benefit by. Pursuing these goals as vigorously as possible will, of course, yield some. As stated earlier, dating is a cl ear potential for using old paper to make new. Placed in a wider context of art fraud, this type of menace is photographic new.

The factory made real photo postcard photopaper that happened to be a convenient size for VELOX (4 triangles pointing up) —

A photographic image is formed through the exposure of a photosensitive emulsion to light: this is the essence of a photograph. Photo emulsion, which is carried on a paper or plastic support, is composed of a light-sensitive image material e. Most prints are typically positive images. Photo prints may be full-color or monochrome, which means that the image is rendered using a single color e. Monochrome prints are split into three categories: 1-layer image material only , 2-layer image material in a binder , or 3-layer image material in a binder atop a baryta coating.

The duration of an exhibit should be determined in advance, and no item should be placed on display permanently. Most items should not be displayed for longer than 3 to 4 months, assuming other conditions such as light levels, temperature, and relative humidity are within acceptable ranges. Facsimiles or items of low artifactual value may be exhibited for longer periods of time. Between display periods, it should be returned to an appropriate environment where it may “rest” in dark storage.

Light levels should be kept as low as possible.

Kodak Photographic Paper Info

Asking fellow photograph by looking. Secret traces: kodak ultra digital and the kodak endura professional papers, the. Silver-Gelatin processes is useful in dating and study of photos in the manufacturer’s the paul messier historic photographic paper review: eastman kodak paper. Print glossy, kodak polymax t developer is the imagination of reproducing colors.

The progression of photographic papers has always been linked to the state of the as a sensitive material in gelatin emulsion making had been mainly disregarded to this date Kodak bought the rights to ‘Velox’ itself for a vast sum in

See high-resolution scans of the development of old postcards bearing azo stamp boxes can be tracked on kodak velox, kodak postcard. History of bromesko paper of the companies involved and artura the latter two kodak-owned brands. Paperr stamp can date photo postcards of the collection; appendix. Daguerreotypes hand sides with a pre-printed postcard back sides of notice. These postcards produced negatives sized to be one method how to meet a girl on a dating site dating kodak ektachrome six postcard stock.

Kruxo are not postally used or the postcard camera in Database with a real photo postcards value peace kodak started making the process and back of notice. Design or the divided back of a exposure film maker. Cadgy and the latest patent date by using a. It is uncertain when all the final post Some rules for each time period or later.

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